
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Akbar’s Chamber offers a non-political, non-sectarian and non-partisan space for exploring the past and present of Islam. It has no political or theological bias other than a commitment to the Socratic method (which is to say that questions lead us to understanding) and the empirical record (which is to say the evidence of the world around us). By these methods, Akbar’s Chamber is devoted to enriching public awareness of Islam and Muslims both past and present. The podcast aims to improve understanding of Islam in all its variety, in all regions of the world, by inviting experts to share their specialist knowledge in terms that we can all understand.
Episodes

Saturday Feb 01, 2025
The Swahili Poetry of Mozambique: A Muslim World Literature from Southeast Africa
Saturday Feb 01, 2025
Saturday Feb 01, 2025
Meaning ‘language of the coasts’ in Arabic, Swahili emerged in East Africa many centuries ago through contact with the wider Muslim world. Although the language is most often linked with Kenya and Tanzania, Swahili was also used as a lingua franca as far north as Somalia and as far south as Mozambique—a country whose name derives from that of a fifteenth century Muslim ruler, Musa Bin Mbiki. In this episode, we explore the little-known history of Swahili in Mozambique, where the language became a rich poetic vehicle of religious teachings. After an overview of Swahili under the Portuguese rulers and the sultans of Angoche, we take a closer look at performances of the Nazajina, an epic poem recounting the last days of the Prophet. Finally, we zoom back out to the big picture by asking how Mozambiquan Swahili helps us rethink the notion of ‘world literature.’ Nile Green talks to Clarissa Vierke, author of On the Poetics of the Utendi: A Critical Edition of the Nineteenth-Century Swahili Poem “Utendi wa Haudaji” (Lit, 2011).
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